While I was on the air with Matt Clark during his WAAM radio broadcast recently he wanted me to talk a bit about my latest Curse of Fort Seven Mile series. However, time ran out and we couldn’t get into the details. Actually, I don’t think I could cover all the details in an hour show, or a 10 hour show. For me, what started as a simple pulp fiction series has evolved into something I would term as a philosophy for the 22nd century. The below videos will help with the context but essentially what I’m doing is this: over the next one hundred years we are going to discover that we are not alone in the solar system, let alone the galaxy. We will learn to defy death. We will unlock all the potentials of a Type 1 civilization and that will require us to completely revisit our current political and religious philosophies—because the present ones just won’t be sufficient. That’s not a knock on anybody, but the discoveries of the next century will just unlock a massive amount of potential that isn’t even forecasted on the horizon as of yet—and people will need some means of thinking about those things if they want to survive.
I have been pretty adamant about my hobbies and positions. I essentially grew up studying mythologies and religious cultures, but I like to make money, so I chose professional endeavors that I could raise a family on—but there is a lot about me that is very sympathetic to the Nathan Drake video game character. The people I most admire these days are people like Josh Gates and his friend Erin Ryder. If I did not love family as much as I do, I would have loved to live the life that they have—and believe me I have no regrets. But I do read and watch a lot of what those fantastic people have put out as far as discovery over the years. When they tackle some crypto mystery much of it comes out to nothing, but it’s the asking of the questions that I find absolutely amazing. There are a lot of people, many whom are featured in these videos who have committed enormous amounts of time and resources to asking hard questions about mankind’s origins—and I’ll be honest—I love each and every one of them. When I listen to their lectures and read their books I think in the best case scenarios, they may be getting 50% of any given idea correct. But even 1% of what these people are saying they are major game changers for the entire human race and the world at large.
In spite of my love of guns, capitalism, business entrepreneurial activity, innovation and pop culture, I am most at home with books, museums, and very smart people. One of my best friends growing up had an IQ of around 170 so I know those types of people excessively well, and I love being around them. Some of the people in these videos like Steve Quayle remind me of that friend. They are too smart for mainstream society, and they are usually defined as lunatics by a society which embraces too openly—sheer stupidity. As long as I’ve been on earth, I have asked similar hard questions and sought the answers and I have a general theory about the reason that ancient cultures collapse—actually all cultures including recent ones. I published my thesis in a screenplay, which won a few awards along the way called The Lost Cannibals of Cahokia. While most archaeologists and anthropologists will point to environmental conditions and say that the reason that a culture fails is related to a loss of water, or of food supply—usually those opinions are corrupted by their left leaning educations. My theory is that cultures fail because of the human inclination to the Vico cycle—where they just can’t seem to get off the treadmill—and they have been like that for their entire existence. That screenplay would probably make a good movie and I should probably push it more toward production—and maybe I will. My goal in writing it was to get the thesis down in an entertaining way that people could enjoy—but come away from the story asking hard questions like—what is the primary driver of a successful culture—then offering the answer as the climax amid the usual expectations of exciting storytelling. After I shopped that script around it became obvious that I’d have to produce the picture myself to do it right, and honestly, I didn’t have the time or patience to “collaborate” the way it takes to make a movie. So I shelved it and offered it as a legitimate thesis about the rise and fall of civilizations. On the surface, it was an action adventure horror story, underneath was something that meant a lot to me which was based on many thousands of hours of reading and personal discovery—traveling all over the world checking things out for myself—a little the way Josh Gates has—only with fewer frequent flyer miles.
Lately, there has been an explosion, likely because of the Internet, of conspiracy theories and examinations into a hidden past that does not agree with the Leaky evolutionary theories. The latest revisions are probably driven more by Jurassic Park’s DNA examples and the popular Lord of the Rings movies about Middle Earth—art has helped our society ask new questions from a fresh perspective—and the answers to those questions might just be explosive. If only 1% is true, mankind is in for some startling revelations. The best movies and books are the ones that make you ask, “what if,” and as the videos included here surmise, there are some very smart people who are asking lots of questions tainted by their personal backgrounds. But it is what they agree on that has stimulated my thinking and focused my mind on the hard evidence that is rapidly pouring in.
I wanted to write another Cliffhanger novel but I wanted it to be relevant to the world 100 years from now the way I read Jules Verne, Ayn Rand, H.P. Lovecraft or even Shakespeare. My favorite play of his is Titus Andronicus. His use of extreme violence to tell the moral story of love and loss—as well as dedication are the kinds of things I find infinitely fascinating and it doesn’t matter when in history we read such a story—they still communicate a truth which is valuable. Having these kinds of interests I couldn’t just write some average piece of fiction reviewers of today would like—I wanted to write something that people a century from now would marvel at and would still draw inspiration from. Yet I also wanted to make the argument that the values America had from around 1870 to about 1900 were the best the world had ever seen, and that those values should be captured in a bottle and examined in actually a scientific way—as having merit on culture building itself. The economic means of the country was explosive during that period, morality was respectable, and collectivism was being defeated wherever it was encountered—namely during westward expansion.
For about forty years I have had in my mind a really terrible antagonist and a concept for painting it into a story against the ultimate protagonist—but I needed to collect a lot of information to tell that story. Finally, I feel like I’m there. Once I had all the details worked out, I went to work writing it—and as I thought, it has turned out to be the byproduct of a hyperactive imagination, a technical background, legitimate scientific investigation and all the life experience learned in every hard way imaginable.
Knowing that over the next couple decades history will have to reflect what we are learning now—and that we will learn that not only are we not alone, but that we are currently in a relationship with thinking beings not from earth’s origin story and that the essential ingredient to a successful society resides within individual behavior as opposed to collective salvation—and that once that process begins—where democracies run by a mob take over the individual input of actual leaders—that all civilizations stop functioning and regress back to their beginnings.
Even as my protagonist, Cliffhanger fights bad guys with flaming bullwhips all in the name of justice—it is important these days to define the merits of that justice. It is not enough to simply show bad and good—it has to be defined by actual universal rules of engagement as defined by the observable conditions of our cosmos. To do that we have to step beyond our veil of politics and modern philosophy and take the next step. Taking that step is what and why I’m committing so much time to this new Cliffhanger story. Similarly to that Cannibals of Cahokia story—this Curse of Fort Seven Mile has the benefit of an additional twenty years of hard living and earned observation. Like H.P. Lovecraft I have a love for pulp fiction written in a romantic fashion—and on the surface that is what these new Cliffhanger stories are. But, my protagonist, Fletcher Finnegan in The Curse of Fort Seven Mile is actually named after one of my favorite literary figures of all time, the giant in Finnegan’s Wake from the James Joyce classic. My goals with the work are not to reach the New York Best Seller’s list, or even to get reviews from Publisher’s Weekly. It is to offer a useful philosophy for people grappling with real significant challenges to everything they believed was true for over 10,000 years and to provide them a softer landing philosophically—so to maybe for the first time in human history to provoke a change in mankind’s propensity to always revert back to the Vico cycle. Thus Spoke Cliffhanger.
If you want a preview of this work they are available on the sidebar. But the real meat is yet to come and why I am dedicating some specific time and resources to completing it. To get a sense of it, just watch all these videos and you’ll get your mind ready to read what I’m putting into a story intended for readers of the next century. I’m not giving up on politics. But rather it is too small of a shoe for me now. The next obvious evolution is exopolitical theater and the vast changes it will bring. Currently it is a bit on the fringe side, but that will change rapidly—and when it does–well, people will want a point of reference and fiction is a good place to begin—by bridging what we know with what we will come to understand.
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